Classical Guitar Technique – Produce Tones Like the Masters

Guitarist, are you wondering how to make your instrument produce the kind of tone that moves the listener’s emotions? If so, you will want to see the classical guitar techniques used by the world’s best players to make their music thrill the audience.

Tenor star opera made his life by generating tones that sent fans to shivering ecstasy. If his voice is hoarse or itchy, he will never inspire his audience. The production of good tones is what distinguishes the average singer from virtuoso. Likewise, a musician who is skilled at playing classical guitars works towards producing the best possible quality with his right hand. He tried to correct his tone to the point where there was no roughness or impurity left. Thus, the player contains a beautiful tone in his own mind, then tries to duplicate the elusive tone quality on his instrument.

In playing classical guitar, musicians use their nails to produce tones, because using nails produces brilliance and most tone. The tones of the nails produced by the best concert guitarists are clear, round, sweet, and smooth in character. Has no hardness, scratches, impact, or clicks. This tone can fully captivate players and listeners. Every guitarist must aim for a sound that is beautiful and flawless. Don’t be satisfied until the sound that comes from your guitar has an elusive quality that you hear from the best artists in the genre. Experiment with your tone until you get the sound you want. Remember, even in the top dynamic range, the tone of voice must remain sweet and airy.

To produce such a tone, first get a clear concept of the ideal tone in your mind. The best way to get this concept is to listen to one of the beautiful notes produced by virtuoso guitarists, either directly or recorded. Listen again and again, each time trying to hear more about the subtle quality of the tone. When you have a clear sound concept, try to produce the same quality on your own classical guitar. You will find it easier, because you have already heard how the tone should be heard, from one of the masters of art. From a technical perspective, running the right punch correctly will also improve the quality of your tone production. Use both methods to hone your skills in the most important dimensions of this classical guitar technique.

Because the quality of the tone is very important for your development as an artist, make this exercise as important as your daily routine like practicing scale. You can also improve your musical skills by paying attention to the production of tones. Online classical guitar lessons can also help, such as taking lessons in the studio.

When choosing a studio or classical guitar lesson program online, make sure that the instructor himself produces a tone that moves the hearts of their listeners. Look at reviews from their concerts, and listen to their recordings. In addition, they must have sufficient teaching experience to have a track record regarding the quality of the students they produce. Finally, make sure that the teachers have interesting ways that allow them to explain the material to their students clearly, using the learning styles that students like. Choose wisely, and you will produce the kind of tone that moves your listeners’ hearts too.

Experiencing Tonal Nirvana From Your Guitar

Everyone agrees … older string instruments generally sound better, and feel better than their modern counterparts! They almost breathe life! They have a feeling of life, a “vibration” that often turns into musical magic! You can really feel an amazing instrument vibrating with itself when you play it. That’s what we are talking about! If you’ve ever been as lucky as you can pick Fender Stratocaster Ā© 50s that was played well or the MartinĀ® Acoustic era in the 1940s, then you really experienced tonal nirvana. If you are a smart player, chances are you are well aware of this elusive tone! The strange thing is, not all older instruments have these characteristics. This is a phenomenon in all brands, regardless of the bad or the disadvantages. Just because an guitar is old doesn’t always mean that it will sound very good, although in general it will sound better than a new instrument.

New instruments rarely have this character, not even expensive custom shop instruments! Even the instruments with the highest prices available today promote their construction features, good finishes and fantastic looks. They often promote the resonance and beautiful nuances of their guitars. Although all this is true, in fact, they are still new instruments, which they want to destroy. However, some old guitars that have spent most of their lives in a closet or under the bed do not have this sonic magic. They often don’t sound much better than newer instruments and are built with quality. What happen?

Until now, most experts have agreed that old and old wood, which has dried up for years, significantly contributed to the guitar’s sonic signature. Musicians will pay a premium price for their guitars to be built from old or older wood, or wood that is saved from old buildings; then made to look old, similar to a vintage instrument. But this effort may still not guarantee that the instruments produced will offer a tone that is difficult for them to need. Usually not. Many players often choose appearance rather than tone. Why do that when you really can have both!

Experienced Luthiers will evaluate many factors when choosing wood for premium guitars. They realize that each family of wood and individual pieces of wood have unique characteristics. They often use a “tap test,” where a piece of wood is hit with a knuckle, fingertips or another piece of wood and the resulting tone is observed. They will critically listen to attacks, resonance, harmonics, sound speed, ringing and other factors. Some will take this further and evaluate the sonic characteristics of wood through sophisticated software analysis. The point is … all wood has sonic characteristics that cannot be denied and for the most part, these evaluations are subjective.

Sound is produced when the energy from a vibrating string is transmitted through the saddle and bridge to the solid-body guitar itself, or to the top of the acoustic instrument. “Tone” produced is a combination of many factors, the most important of which is the type of wood itself. Mahogany, Swamp Ash, Alder, Korina, Maple, Spruce, Cedar and others have different sounds. In addition, each is available in many varieties from different locations. It is best to use a piece of wood without a glue connection that will inhibit this critical vibration. Even a two-piece body with a single glue connection can cause vibrations out of phase or suddenly be stopped, limiting their ability to reproduce the desired tone. Some pieces of wood are suitable for good furniture, but generally not for good musical instruments.

Another important factor that affects the tone is the final result applied to the wood itself. Thin nitro-cellulose or oil layer / stain will allow the wood drying process to continue. The wood really breathes through this finish! They protect and beautify wood without obstacles, allowing all natural sonic properties to be available. Modern fish such as Polyurethane, polymerized oil and others actually put a grip on the wood, encasing it into an impenetrable casing, prohibiting further healing and dampening vibrations.

It was said that playing the instrument really opened the cellular structure of wood, making it really sound better as we got older! Wood is sensitive to changes in moisture, generally holding less moisture because it continues to heal over time. Wood tends to be more stable and brittle when it dries. Tubular wood cells that once contained resin or water, now dry and shrinking for years, functioned as mini “concert halls” where vibrations echoed throughout and collectively projected what we consider to be amazing tones! Wow!

Fine wood instruments need to be played regularly and consistently to develop their true sonic potential. This is no secret! Guitars, violins and pianos built with quality all increase with age and often, playing continuously. You already know this to be true. A good instrument requires “break-ins” from time to time. Wood needs to be massaged generously by vibrations created through active and consistent playing of instruments. The more you play and enjoy your good instruments, the greater your sonic prizes!

If you are looking for this grail of holy tones, then simply buying a quality wooden instrument or even a building built with old wood is not enough. All of the above factors must be included in the construction, maintenance and feeding of your instrument. Well-designed and literally stringed instruments created to produce beautiful music, continue to develop sonically from year to year. Let go of this sonic magic, listen carefully and feel true tonal nirvana that increases every time the strings are removed.